I have to admit I've changed my mind about the first item in this article. The prediction I made, that the Iona Institute's threat of legal action against the 'homophobia' libel would be held over their head forevermore, didn't really come to pass. In reflection, they did the right thing, as the debate would have been even more strangled than it was if the 'homophobia' charge could be tossed around without any inhibition at all. Still, I think the argument I make here is worth at least considering-- perhaps not in this case, but in others.
I'm publishing this post on a very special date, and dedicating it to my dear wife Michelle-- indeed, this whole book is dedicated to her.
John Waters |
The controversy over RTE’s apology to John Waters, Breda O’Brien and the Iona Institute is still rumbling as I write this column. Readers of this paper will be familiar with the story, but here goes anyway…
An Irish drag artist and gay rights activist appeared on an
RTE television show (I didn’t see it), and apparently accused the Iona
Institute and John Waters of homophobia, on the basis of their opposition to
gay marriage. Mr. Waters, along with several members of the Iona Institute,
threatened legal action unless an apology and a retraction were issued.
RTE, acting on their own legal advice, rather reluctantly
shelled out 85, 000 euro in compensation, along with a somewhat mealy-mouthed
apology. David Norris went on a march to protest this. Fintan O’Toole wrote an
Irish Times article recounting an occasion when he was accused, in print, of
hypocrisy for driving a BMW home from some left-wing demonstration, despite not
owning a car at all. He forbore from suing his accusers, he says, out of
respect for free speech. Meanwhile, Ivana Bacik complained about the Iona
institute “lawyering up”.
Fintan O'Toole. I've seen him on the bus a few times. |
As far as I can see, reactions to the incident in the
Catholic press were entirely supportive of the Iona Institute’s action. Most
commentators argued that a serious debate on same-sex marriage could not be
held while its opponents were continually having their character defamed and
their motives called into question. David Quinn, the director of the Iona
Institute, argued in a televised debate that the Institute had no choice but to
threaten legal action. Otherwise, he said, the accusations of homophobia would
continue throughout the debate on next year’s referendum on gay marriage, and
opponents of the referendum would find it impossible to get a fair hearing.
Sometimes Fintan O’Toole is Right
I don’t agree with him on this. I think the Iona Institute
made a big mistake in taking the course they did.
Don't get me wrong. I'm pleased, as any sane person must be
pleased, that RTE are lighter of 85, 000 euro. It's 85, 000 euro less for them
to put towards more agit-prop documentaries and banal home makeover shows. I'm
also a great admirer of the Iona Institute and of John Waters. And I think the
personal abuse that has been dished out towards the Institute's members— especially
Breda O'Brien—is utterly scurrilous. These people are defamed on a regular
basis. The worst abuse comes from those nameless, faceless denizens of the
Irish internet, who daily spit bile from behind their avatars and their weird
pseudonyms.
In spite of all that, I think that the Iona Institute has
unwisely given a hostage to fortune, as well as gifting ammunition to its
critics—ammunition which they have not been slow to use.
Breda O'Brien |
Fintan O’Toole, in the aforementioned Irish Times column,
wrote that: “there’s a price to be paid for the considerable privilege of being
granted an especially loud voice in the national conversation. With the
megaphone comes a duty to protect freedom of expression and a vested interest
in keeping it as open as possible.” Other supporters of gay marriage, less
urbane than Mr. O’Toole, have accused the Iona Institute of fearing a free
debate.
I actually agree with Fintan O’Toole on the fundamental
principle involved. Free speech and the free exchange of views are so precious
that even their abuse should be tolerated as far as reasonably possible. In the
last issue of The Catholic Voice, as part of a very deep and thorough analysis
of the controversy, Dualta Roughneen asked: “How much defamation, mud-slinging,
sloganeering and shouting down is to be tolerated in the name of fairness”? I
would answer: ‘A great deal’.
But aside from the basic principle involved, it would be
prudent of Christians and moral conservatives to cherish freedom of speech,
even beyond the point of defamation. And
here’s why.
Appealing to Caesar
The accusation of homophobia is a cheap shot, and everybody
knows that it’s a cheap shot. Many people in this country already regard the
Iona Institute, and indeed all opponents of same-sex marriage, as being
homophobic. So it’s hard to believe that such throwaway slanders would really
change how anybody viewed the spokespeople of the Institute, or indeed others
who oppose gay marriage. In truth, such
childish gibes only rebound upon the accusers, since it makes them look
incapable of making a sober and rational case.
But the accusation that the Iona Institute ran to their
lawyers to shut down a free debate, though unfair, is less obviously unfair
than the charge of homophobia. It will stick a lot easier, well after the
marriage referendum is over.
This is an important issue. In our time, the traditional
Christian worldview is coming more and more into official disfavour, and the
expression of traditional Christian beliefs—not only regarding marriage, but a
host of other subjects—is increasingly considered offensive, discriminatory,
even a form of hate speech. (The very
week I write this, it was reported that a Spanish cardinal is being investigated
by police in Spain after being accused of “hate speech” by a gay rights
group.) Appealing to courts and
official bodies as the arbiters of what may and may not be said is, for this
reason, a very bad idea for Christians. In the long run—in the not-so-long run,
perhaps—they will almost certainly get the worst of it.
The time may soon come when Christians must defy the law in
order to follow their consciences, and to proclaim the fullness of the Gospel.
In that hour, do we really want to hear an echo of the words of Festus, in the
Book of Acts: “You appealed to Caesar; to Caesar you shall go”?
Why are we Undoing the Pope’s Work?
The tug-of-war over Pope Francis continues, in newspaper
columns and bogs and on radio panel discussions. Some liberal Catholics, and
other left-wing observers, consider him something of a fellow traveller, on
account of his apparently less rigid approach to Catholic tradition—the simple
robes, the off-the-cuff question and answer session with reporters on the plane
back from World Youth Day, the eyebrow-raising interview with America magazine,
and passages like the following from his recent apostolic exhortation, The Joy
of the Gospel: ‘A supposed soundness of
doctrine or discipline leads instead to a narcissistic and authoritarian
elitism’.
Conservative Catholics pounce, rather triumphantly, on those
passages and interviews where Pope Francis proclaims himself “a son of the
Church” and re-affirms Catholic doctrine on abortion, female ordination, and
other controversial subjects.
Isn’t it obvious that, in doing this, both “liberals” and “conservatives” are going against the very spirit of Jorge Mario Bergoglio’s pontificate?
Isn’t it obvious that, in doing this, both “liberals” and “conservatives” are going against the very spirit of Jorge Mario Bergoglio’s pontificate?
Probably liberal Catholics |
Probably conservative Catholics |
A Moment of Grace
Surely this is an opportunity, even a moment of grace, for
the rest of us.
Ever since the Second Vatican Council, Catholics—or at
least, Catholics in the developed world—have been embroiled in something of a
feud between left wing and right wing, liberals and conservatives, “dissidents”
and “orthodox”. And—as with all feuds—the longer it continues, the more emotion
and ego and personality becomes invested in it.
It becomes difficult for either faction to back down, or to admit that
they were ever wrong, or that they were uncharitable, or that the other faction
has even a modicum of truth on their side.
Perhaps it is time to drop all the talk of “liberal” and
“conservative” Catholics, to have done with finger pointing and “I told you
so”, and to join the Pope in his work of reconciliation and bridge building.
We know the promise that Christ made to St. Peter. We know that Pope Francis is the inheritor of
that promise. Our faith tells us that he is not going to compromise the dogmas
and sacred truths with which he has been entrusted. Let us stop fighting over
every word he utters, and join him in proclaiming the timeless truths that are
more conservative, and more liberal—in the best sense of both those adjectives—
than any other doctrine in the world.
St. Peter |
Movie Magic
All through my twenties, and well into my thirties, I was a
cinema addict. I have sometimes been to see three films on the same day. I’ve
seen some movies up to five times in the cinema. For a long time, the first
question anyone would ask me—rather to my chagrin—was, “Seen anything good in
the cinema lately?”
The fascination extends back to my childhood. The first
movie I ever saw in the cinema was Indiana Jones and the Temple of Doom. I was
seven years old. (I didn’t realize that the seats folded down and I spent the
first few minutes quite literally on the edge of my seat.)
I was enthralled. It wasn’t only the enormous pictures on
the screen that set my imagination on fire. It was the exciting darkness all
around the screen. Somehow, I had the sense that that darkness contained a
great presence, a great mystery—although now I would consider it a great
Presence, a great Mystery. It was not that the Mystery was any more present in
the cinema than anywhere else. But somehow the drama and solemnity of the
setting made me more aware of it.
I still love the cinema, and I still sicken for it if I’m away too long. But now that I am recently married, I have discovered that the small screen has a magic all of its own. For some reason, watching a DVD with the one you love is even more transporting than a trip to the movies. Perhaps it is the lure of domesticity kicking in.
Thankfully, my wife is every bit as enthusiastic about
movies as I am.
When I reach the end credits of a good movie, I feel that
I’ve lived a whole other existence—that I’ve had years added onto my life (but
in a good way!).
Stories and the Sacred
Human beings need stories. As G.K. Chesterton put it:
“Literature is a luxury, fiction is a necessity”. We carry within us a deep
intuition that human life is a quest for meaning, that we were made for great
things. We have an ineradicable sense that life is a drama, a journey, and that
its destination is something bigger and better than any storyteller can ever
imagine.
Thankfully, it doesn’t stop storytellers from trying…
I think it is wonderfully fitting that when God came into
the world, he told stories, and that he himself provided the resounding climax
of the great story that had started with the words, “In the beginning, God made
the heavens and the earth.” No wonder that we, his creatures, crave narrative
so much.
The Bucket List |
Not that movies, even good movies, are always adroit at
handling sacred themes. A recent DVD that myself and my wife both enjoyed was
The Bucket List, a film starring Jack Nicholson and Morgan Freeman as two
chalk-and-cheese cancer patients trying to live all their dreams before they
die. When they come to discuss religion, it is rather frustrating to hear the
following exchange:
Jack Nicholson: I envy people who have faith, I just can't
get my head around it.
Morgan Freeman: Maybe because your head's in the way.
As though one’s head could ever get in the way of authentic
faith! (The screenwriter had obviously not read John Paul II’s great encyclical
Faith and Reason.)
But some movies do better. Shadowlands, the C.S. Lewis
biopic starring Anthony Hopkins, is a truly mature and profound meditation on
faith. And my favourite film of all time, Groundhog Day—a comedy about a
narcissistic weather reporter, played by Bill Murray, who is compelled to
relive the same day over and over until he comes to appreciate his
life—succeeds in awakening in the viewer a powerful sense of God’s grace, and
of the infinite preciousness of His gifts. This despite the fact that the most
theological line in the movie is, “Well, maybe the real God uses tricks. Maybe
He’s not omnipotent, He’s just been around so long He knows everything!”
"I like to say a prayer and drink to world peace..." |
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