Nothing is more irksome than somebody continually trying to be funny or witty. Most people are funny when they're not trying.
Irish Papist
Faithful to the Living Magisterium and the Pope!
Monday, June 30, 2025
Rules for Conversation
Nothing is more irksome than somebody continually trying to be funny or witty. Most people are funny when they're not trying.
Saturday, June 28, 2025
Everything Comes Back to Religion
Sunday, June 22, 2025
Work Day and Holiday
I've been reading train-related ghost stories recently. It's really been getting me in a railway spirit. I haven't been on a train in years. (Light rail not included.)
Anyway, it reminded me of this poem that I wrote some years ago. I can't remember if I published it here before. It's not on the blog now. It describes a real experience I had.
I've written hundreds of poems, but I'd say I'm actually happen with a dozen at most. This is one of them. It was published a few years ago in The Lyric, a traditionalist verse magazine in the USA.
I am quite proud of this poem because I think the question in the last stanza is an important one. Who has the best perspective on a place, a situation, or anything else? An insider? An outsider? Somebody else?
I think this applies to a lot of things. For instance, Catholic Ireland used to be seen (arguably) in a rather romantic and sentimental way by the Irish themselves. Today (inarguably) it's seen through a filter of cynicism and disillusionment. Which is right?
It's not a perfect poem by any means. The second verse is a bit awkward. But "holiday fizz" is good, I think.
I also like poems that take a very ordinary experience and find meaning and poetry in it. That is the idea behind the Suburban Romantics manifesto.
Anyway, here you go.
(Whenever I offer poetry or anything to do with poetry-- online or in an interpersonal situation-- I brace for apathy. I was at a coffee morning on Thursday and I ventured to express my views on the decline of poetry to a colleague, since she had recently given a presentation on a poetry-related theme. After a few minutes of listening to my captivating theories, she announced she was going to get more coffee and didn't come back. Oh well. I keep trying.)
Work Day and Holiday
I sat alone on a morning trainA new world gleamed past the window pane
And seven free days stretched out before me.
We came to a town, and suddenly
A crowd of commuters filled the carriage
En route to office and factory,
To lab and station and school and garage.
Soon each was lost in a mobile phone
A laptop, a book, or a magazine.
A handful, glued to their earplugs' drone,
Stared out at the vista so often seen.
I sat there, robbed of my holiday fizz,
And thrust in the role of the raw outsider.
But which of us saw the place as it is--
Was it them? Or me? Or both? Or neither?
Friday, June 20, 2025
Another Win for the Culture of Death
The House of Commons in the UK has narrowly voted in favour of "assisted dying" for terminally ill people.
What is there to say about this? The arguments have been well-rehearsed. My friend Angelo Bottone has an excellent article on the inevitable creep of euthanasia laws once they are established. The slippery slope is not only real but demonstrable.
Euthanasia is deeply disturbing. There seems to be a foundational, cross-cultural, cross-ideological consensus that one of the main purposes of society (even its overriding purpose) is keeping people alive. When there is an earthquake or a wildfire or a terrorist situation, expense and effort is no object when it comes to saving lives-- every last life.
Similarly, suicide is universally seen as a bad thing, something to be prevented. We have suicide hotlines, counselling services, suicide watch in prisons, and so forth.
How long will this consensus exist in the shadow of euthanasia? There is only an academic difference between the proposition: "I will help you kill yourself because you want to die", and "I will help you kill yourself because I agree that your life has ceased to have value."
What is the value of life, anyway? Once you start to quantify it, you are in very dangerous territory. It either transcends all such calculations, or it's already on a scale of more and less valuable.
A very dark day. God help us!
Dream Cities
I'm as worried about A.I. as anybody else, but I'll admit I've dabbled with it. Sometimes I've used it to generate pictures for this blog when I can't find anything suitable online.
Another thing I've used it for is to create visualizations of my dream cities.
For a long, long time (I can't remember how long) I've had dreams-- dreams in both a literal and figurative sense-- of marvellous, futuristic cities, cities which satisfy particular deep-seated yearnings of mine.
When the dreams are literal, they're often of the high-rise suburb where I grew up, Ballymun. But Ballymun transformed into something more like a science-fiction film.
1) They are bustling. I love activity. I love the phrase "the city that never sleeps". I love the title of the Smiths song, "There Is a Light That Never Goes Out". I love the word "public". Basically these cities are hotel lobbies (or airport concourses, or train stations, or conference centres) on a grand scale-- not quite, but close enough.
2) They are completely interior with no windows-- or, if there must be windows, high windows and/or skylights. The sky and the moon and the stars are beautiful, but...well, I don't know why, but I like indoors to be utterly indoors. I like the concentration of that. I especially like rooms within rooms within rooms.
3) They have balconies, flags, escalators, and fountains. Especially fountain. Is there any more moving symbol of life-- public, collective, intergenerational life-- than a fountain?
4) They have many levels.
The A.I. website I was using doesn't always follow one's instructions to the letter, though.
This one is my favourite and the closest to my ideal. I like mirrorballs, as well!
I'm rather afraid that everyone else will find these visions to be nauseating rather than beautiful! Sure, I can appreciate the poetry of a little village in the middle of nowhere which is in harmony with the sounds, sights, and cycles of nature. But in all honesty, I prefer these!
Thursday, June 19, 2025
Would You Like to Read a Horror Story?
It's less than four pages long.
If you would, drop me an email at Maolseachlann@gmail.com.
If you wouldn't, have a nice day. But not too nice.
The Poetry of Long Corridors
Is on the whirlwind, and thy voice is heard
In thunders and in shakings: thy delight
Is in the secret wood, the blasted heath,
The ruin'd fortress, and the dizzy height,
The grave, the ghastly charnel-house of death,
In vaults, in cloisters, and in gloomy piles,
Long corridors and towers and solitary aisles!