Why Do Words Fall Out of Use?

I've just been reading a book from 1900, and it contains this sentence: "Vivid memories of those days survive, coloured by Bible stories, conned and repeated, and the prints and the chromos which were a part of the familiar apparatus."

Let's put aside the interesting word "chromo", which presumably means colour illustration. I'm interested in the phrase "conned and repeated".

You probably know the archaic meaning of 'con', in this context. It meant to learn by rote, to swot up on, to cram. But why has it ceased to be use in this sense? Why does any word or term cease to be used?

I mean, think about it. Hundreds of millions of people are speaking English every day, and using it to describe any number of ideas and activities and events. Shouldn't every possible resource be drawn upon repeatedly, in that great babble? Isn't that what you'd expect?

Was it perhaps the pejorative meaning of con, as in "to swindle, to trick", that made people back away from using it in the other sense?

But how does that explain all the other archaic terms that just disappear? (I think the one I lament the most might be "brown study": "I fell into a brown study", that is, a reverie.)

A little further on in the book, I came across another word that has fallen out of use: "collegian". There seems no earthly reason why that one should have disappeared, or all but disappeared.

Every time you open your mouth you are shaping the language. Think about that! (Unless, of course, you are opening it to put a doughnut inside, an operation of which I heartily approve.)

Look Thy Last

This stanza regularly intrudes itself upon my thoughts:

Look thy last on all things lovely,
Every hour. Let no night
Seal thy sense in deathly slumber
Till to delight
Thou have paid thy utmost blessing;
Since that all things thou wouldst praise
Beauty took from those who loved them
In other days.

For years, I've thought it was Thomas Hardy, but it's actually Walter de la Mare-- as I've just discovered.

More recently I've been thinking: why just "lovely"? Look thy last on all things seems better advice, and something I'm increasingly trying to do. Even though I have no reason not to expect two or three more decades on this earth, or perhaps even more.

Beidh Lá Eile ag an bPaorach

This is one of my favourite Irish proverbs. 

The literal translation is "Power will have another day". "Power" is an Irish surname, so it's basically an assertion that you're not finished yet, or that you'll bounce back.

God knows who the original Power was or what he was bouncing back from.

Poems I Like: The Fascination of What's Difficult by W.B. Yeats

I gave a library tour today and a student (actually a prospective student) asked me my favourite poet. Nobody ever asks me great questions like this. People ask me the same kind of questions they ask you, I'm sure: how long does it take you to get into work, what did you do at the weekend, do you have any holidays booked, etc? I hadn't even mentioned poetry. (Incidentally, the student told me his own favourite poet was Rudyard Kipling, a choice I wholeheartedly praised.)

Anyway, there is only one answer for me: W.B. YEATS.

Yeats seems to me to be so much the greatest English language poet that I wonder why everyone doesn't agree with me. Nearly everything he wrote was brilliant.

"The Fascination of What's Difficult" is one of his lesser poems, but it's still a great poem. Presumably we've all experienced this fascination; doing something the hard way rather than the easy way, just for the sake of it. And feeling no choice in the matter!

There's something about Yeats poems that I can best describe by the term "contour". I have this notion that you could replace the words of a Yeats poem with almost any other words, as long as you preserved the sentence structure and rhyme scheme, and you'd still have a good poem-- the "bones" are that strong. (I've even thought of doing this myself). Very often he had a long, sinuous, tentative line followed by a short, punchy line. But that's just one example in his box of tricks.

The Fascination of What's Difficult

The fascination of what's difficult
Has dried the sap out of my veins, and rent
Spontaneous joy and natural content
Out of my heart. There's something ails our colt
That must, as if it had not holy blood
Nor on Olympus leaped from cloud to cloud,
Shiver under the lash, strain, sweat and jolt
As though it dragged road metal. My curse on plays
That have to be set up in fifty ways,
On the day's war with every knave and dolt,
Theatre business, management of men.
I swear before the dawn comes round again
I'll find the stable and pull out the bolt.

"Give Me Just Sixty Seconds..."

Does someone believe that beginning a YouTube ad like this is really going to get me to listen? It makes me even likelier to skip them. (Oh, and telling me not to skip is guaranteeing that I will skip.)

Honestly, I don't see why ads can't evolve to get their essential message into five seconds.

And I wonder why they don't just have someone tell a joke. I'd probably stay for the punchline.

I'm sure they know their business, though.

Me, Frank and Stan

 

Some Lines on Corpus Christi by John Bradburne

I encountered them in an email from the John Bradburne Society today.

If you don't know about John Bradburne, I encourage you to make his acquaintance. Apparently he is the most prolific poet in English

I wouldn't call any of his poetry great, although of course, I've only read a tiny fraction of his huge outpout. He has an unfortunate tendency towards incongruity and bathos. However, I really like these four lines:

Jesus of Nazareth is in each tent
Where rests with us The Blessed Sacrament:
Worship the God of nature and do well,
Do better and adore Emmanuel.