Every hour. Let no night
Seal thy sense in deathly slumber
Till to delight
Thou have paid thy utmost blessing;
Since that all things thou wouldst praise
Beauty took from those who loved them
In other days.
Just your average JPII Catholic! Blogging since 2011.
This is one of my favourite Irish proverbs.
The literal translation is "Power will have another day". "Power" is an Irish surname, so it's basically an assertion that you're not finished yet, or that you'll bounce back.
God knows who the original Power was or what he was bouncing back from.
I gave a library tour today and a student (actually a prospective student) asked me my favourite poet. Nobody ever asks me great questions like this. People ask me the same kind of questions they ask you, I'm sure: how long does it take you to get into work, what did you do at the weekend, do you have any holidays booked, etc? I hadn't even mentioned poetry. (Incidentally, the student told me his own favourite poet was Rudyard Kipling, a choice I wholeheartedly praised.)
Anyway, there is only one answer for me: W.B. YEATS.
Yeats seems to me to be so much the greatest English language poet that I wonder why everyone doesn't agree with me. Nearly everything he wrote was brilliant.
"The Fascination of What's Difficult" is one of his lesser poems, but it's still a great poem. Presumably we've all experienced this fascination; doing something the hard way rather than the easy way, just for the sake of it. And feeling no choice in the matter!
There's something about Yeats poems that I can best describe by the term "contour". I have this notion that you could replace the words of a Yeats poem with almost any other words, as long as you preserved the sentence structure and rhyme scheme, and you'd still have a good poem-- the "bones" are that strong. (I've even thought of doing this myself). Very often he had a long, sinuous, tentative line followed by a short, punchy line. But that's just one example in his box of tricks.
The Fascination of What's Difficult
The fascination of what's difficultDoes someone believe that beginning a YouTube ad like this is really going to get me to listen? It makes me even likelier to skip them. (Oh, and telling me not to skip is guaranteeing that I will skip.)
Honestly, I don't see why ads can't evolve to get their essential message into five seconds.
And I wonder why they don't just have someone tell a joke. I'd probably stay for the punchline.
I'm sure they know their business, though.
That's the question I keep asking myself, especially recently.
Don't people who consider themselves "sensitive", "soulful", "deep", "poetic", etc. etc. say this about every era?
Wasn't Wordsworth lambasting England in 1802 because "plain living and high thinking are no more"?
Didn't G.K. Chesterton deride his era of "frock-coats" and "stovepipe hats" (both of which now seem impossibly elegant to us), though he also complained about a "dwarfish contempt for the present?"
Didn't William Morris thunder against the utilitarianism and ugliness of his era?
And Thomas Carlyle?
And John Ruskin?
And W.B. Yeats?
And everybody?
And yet...I can't help it. I feel crushed under the banality of the twenty-first century all the time-- the supermarkets, the office blocks, the identikit suburbs, the moronic patter on the radio, the omnipresent political correctness, the all-pervasive irony and "self-awareness", the general lack of seriousness and solemnity and sublimity.
Well, maybe I don't feel like this all the time. But a lot of the time. I have a positive craving for "re-enchantment", whatever that means, and feel an urgent duty to be an agent of this however I can.
And yet, I can't help feeling that someone who wandered into the twenty-first century from the Middle Ages, or perhaps even any other time, might consider it a paradise beyond imagining, and want to kick me for my ingratitude.