Nothing is more irksome than somebody continually trying to be funny or witty. Most people are funny when they're not trying.
Monday, June 30, 2025
Rules for Conversation
Nothing is more irksome than somebody continually trying to be funny or witty. Most people are funny when they're not trying.
Saturday, June 28, 2025
Everything Comes Back to Religion
Sunday, June 22, 2025
Work Day and Holiday
I've been reading train-related ghost stories recently. It's really been getting me in a railway spirit. I haven't been on a train in years. (Light rail not included.)
Anyway, it reminded me of this poem that I wrote some years ago. I can't remember if I published it here before. It's not on the blog now. It describes a real experience I had.
I've written hundreds of poems, but I'd say I'm actually happen with a dozen at most. This is one of them. It was published a few years ago in The Lyric, a traditionalist verse magazine in the USA.
I am quite proud of this poem because I think the question in the last stanza is an important one. Who has the best perspective on a place, a situation, or anything else? An insider? An outsider? Somebody else?
I think this applies to a lot of things. For instance, Catholic Ireland used to be seen (arguably) in a rather romantic and sentimental way by the Irish themselves. Today (inarguably) it's seen through a filter of cynicism and disillusionment. Which is right?
It's not a perfect poem by any means. The second verse is a bit awkward. But "holiday fizz" is good, I think.
I also like poems that take a very ordinary experience and find meaning and poetry in it. That is the idea behind the Suburban Romantics manifesto.
Anyway, here you go.
(Whenever I offer poetry or anything to do with poetry-- online or in an interpersonal situation-- I brace for apathy. I was at a coffee morning on Thursday and I ventured to express my views on the decline of poetry to a colleague, since she had recently given a presentation on a poetry-related theme. After a few minutes of listening to my captivating theories, she announced she was going to get more coffee and didn't come back. Oh well. I keep trying.)
Work Day and Holiday
I sat alone on a morning trainA new world gleamed past the window pane
And seven free days stretched out before me.
We came to a town, and suddenly
A crowd of commuters filled the carriage
En route to office and factory,
To lab and station and school and garage.
Soon each was lost in a mobile phone
A laptop, a book, or a magazine.
A handful, glued to their earplugs' drone,
Stared out at the vista so often seen.
I sat there, robbed of my holiday fizz,
And thrust in the role of the raw outsider.
But which of us saw the place as it is--
Was it them? Or me? Or both? Or neither?
Friday, June 20, 2025
Another Win for the Culture of Death
The House of Commons in the UK has narrowly voted in favour of "assisted dying" for terminally ill people.
What is there to say about this? The arguments have been well-rehearsed. My friend Angelo Bottone has an excellent article on the inevitable creep of euthanasia laws once they are established. The slippery slope is not only real but demonstrable.
Euthanasia is deeply disturbing. There seems to be a foundational, cross-cultural, cross-ideological consensus that one of the main purposes of society (even its overriding purpose) is keeping people alive. When there is an earthquake or a wildfire or a terrorist situation, expense and effort is no object when it comes to saving lives-- every last life.
Similarly, suicide is universally seen as a bad thing, something to be prevented. We have suicide hotlines, counselling services, suicide watch in prisons, and so forth.
How long will this consensus exist in the shadow of euthanasia? There is only an academic difference between the proposition: "I will help you kill yourself because you want to die", and "I will help you kill yourself because I agree that your life has ceased to have value."
What is the value of life, anyway? Once you start to quantify it, you are in very dangerous territory. It either transcends all such calculations, or it's already on a scale of more and less valuable.
A very dark day. God help us!
Dream Cities
I'm as worried about A.I. as anybody else, but I'll admit I've dabbled with it. Sometimes I've used it to generate pictures for this blog when I can't find anything suitable online.
Another thing I've used it for is to create visualizations of my dream cities.
For a long, long time (I can't remember how long) I've had dreams-- dreams in both a literal and figurative sense-- of marvellous, futuristic cities, cities which satisfy particular deep-seated yearnings of mine.
When the dreams are literal, they're often of the high-rise suburb where I grew up, Ballymun. But Ballymun transformed into something more like a science-fiction film.
1) They are bustling. I love activity. I love the phrase "the city that never sleeps". I love the title of the Smiths song, "There Is a Light That Never Goes Out". I love the word "public". Basically these cities are hotel lobbies (or airport concourses, or train stations, or conference centres) on a grand scale-- not quite, but close enough.
2) They are completely interior with no windows-- or, if there must be windows, high windows and/or skylights. The sky and the moon and the stars are beautiful, but...well, I don't know why, but I like indoors to be utterly indoors. I like the concentration of that. I especially like rooms within rooms within rooms.
3) They have balconies, flags, escalators, and fountains. Especially fountain. Is there any more moving symbol of life-- public, collective, intergenerational life-- than a fountain?
4) They have many levels.
The A.I. website I was using doesn't always follow one's instructions to the letter, though.
This one is my favourite and the closest to my ideal. I like mirrorballs, as well!
I'm rather afraid that everyone else will find these visions to be nauseating rather than beautiful! Sure, I can appreciate the poetry of a little village in the middle of nowhere which is in harmony with the sounds, sights, and cycles of nature. But in all honesty, I prefer these!
Thursday, June 19, 2025
Would You Like to Read a Horror Story?
It's less than four pages long.
If you would, drop me an email at Maolseachlann@gmail.com.
If you wouldn't, have a nice day. But not too nice.
The Poetry of Long Corridors
Is on the whirlwind, and thy voice is heard
In thunders and in shakings: thy delight
Is in the secret wood, the blasted heath,
The ruin'd fortress, and the dizzy height,
The grave, the ghastly charnel-house of death,
In vaults, in cloisters, and in gloomy piles,
Long corridors and towers and solitary aisles!
Wednesday, June 18, 2025
Associations
This isn't at all unusual. I think about associations all the time. I'm thinking about them more and more, actually.
I don't have a picture of UCD's church handy so I'm going to swipe one from another website, and hope they don't mind.

I actually like Our Lady Seat of Wisdom very much.
As I was saying...looking at the tabernacle, I began to feel certain associations. I seemed to hear the voice of a young-ish, rather bookish woman saying: "I am a rose of Sharon, a lily of the valleys..."
Actually, I didn't imagine her saying any specific words, but I imagined her quoting the Song of Solomon.
And why? Because that seemed somehow in keeping with the atmosphere of the place, with the aesthetic.
This atmosphere even had a period attached to it. For me, it was the sixties or seventies in Ireland, or even a little later. I think this was about the period a fairly bookish young woman might find the Song of Solomon to be especially beautiful and quotable. She needn't even have been a particularly religious young woman.

This was a time in Ireland when, although liberalism was certainly making inroads, an ordinary young person might be expected to have a certain sentimental attachment to Catholicism. But the poetry of the Song of Solomon would speak to a new respect for sensuality and sexuality.
Do you see what I'm getting at? Catholicism, to me, is associated with a whole range of different aesthetics and associations. Usually very specific associations and aesthetics. It's like there are different aesthetic or atmospheric strains of Catholic devotion. And I like most of them.
Some of these "strains" are attached to particular periods and places, and some aren't. They're very hard to put into words.
For instance, nineteenth century Catholicism has (to me) a very particular flavour, a certain austere intellectualism mixed with a baroque romanticism. Perhaps it all boils down to the personality of John Henry Newman, and the very specific mixture of masculinity and femininity in that complex figure.

Here's another example. Some years ago, they used to have mid-week Eucharistic adoration in the Holy Spirit Church in Ballymun. It was always to the backing of soft devotional music, guitar music with pious ejaculations sung in different languages.
Regular readers will know that I am not a fan of internationalism. But I liked the internationalism of this backing music. I was a friendly, non-threatening sort of internationalism. There were "swirly" sounds between the music.
The gleaming gold monstrance harmonised very pleasingly against the warm colours of the church. The whole experience was very soothing. It made the love of God seem very tender and healing.
Another example is the sort of atmosphere invoked (for me) by the groups of statues you sometimes see outside Irish Catholic churches; that is, large white statues, often showing Calvary scenes, usually quite weather-beaten.

Here's the thing; I find it very difficult to approach God except through the intermediary of one of these atmospheres, one of these aesthetics. It's not for me to say whether this is a good or a bad thing. But, unless convinced otherwise, I'm assuming that it's not a bad thing.
I'm grateful for these associations. They point me to God.
There's a much bigger point arising out of all of this. I suspect that I am not unique or special, and that many (or even most) of our loyalties, beliefs and even our quests come from associations such as these-- whether in religion, politics, working life, love, or any other realm of human activity. How much of our lives are determined by a fragrance, a particular tone of voice, a pattern of light and shadow, that grasped our imaginations at just the right moment?
Tuesday, June 10, 2025
The Silly Season
I probably shouldn't blog when I'm in a bad mood, but I'm irritated by an article in the Catholic Herald which is an example of a tendency I really dislike in Catholic writing. I won't mention the author, but you can read it at the link below. The headline is "Paul McCartney's Catholic Pulse":
https://thecatholicherald.com/paul-mccartneys-catholic-pulse/You can hear it if you listen closely—not in grand declarations, but in the tremble beneath the chord changes. Catholicism doesn’t shout; it seeps. And in McCartney’s work, it’s everywhere. It’s in the longing, the ache, the dignity of sorrow that feels too ancient to be accidental. The Beatles may have been the soundtrack of a cultural revolution, but underneath the haircuts and heresies was something older, quieter, heavier. Something liturgical. Even when the lyrics weren’t explicitly religious, the emotional architecture often was: guilt, grace, reverence, loss, redemption. Take “Let It Be.” Most hear a gentle plea for peace, a soft balm in the chaos of the times. But listen again. That “Mother Mary” isn’t just his mum. It’s the Blessed Virgin, cloaked in the ambiguity McCartney has always favored. Raised on Hail Marys, candle smoke, and the slow solemnity of Sunday Mass, McCartney didn’t need to spell it out. Catholicism teaches you that not everything sacred has to be brazenly broadcast—it can be whispered, veiled, encoded in melody.
Monday, June 9, 2025
The Pope and Nationalism
What does any of this mean? Is exclusion always a bad thing? Is it "exclusionary" that only believing Catholics in a state of grace can receive Holy Communion? Is it "exclusionary" that only men can be ordained? Is it "exclusionary" that Catholic marriage only exists between a man and a woman?
Is it "exclusionary" that national sentiment is directed towards our countrymen and women, rather than the rest of the world? Doesn't everybody in the world have their own nation, whether or not that nation has its own state?
What is nationalism? There are plenty of definitions out there, but to me it's simply belief in the institution of the nation and a desire for this institution to survive. This doesn't seem controversial or radical to me.
It seems especially odd that recent Popes have been so hostile to nationalism, when nationalists are generally supportive of social conservatism, religion, and the sanctity of life. Globalists, on the other hand, usually oppose all these things.
I'm particularly baffled by the Holy Father's use of the word "now": "The exclusionary mentality that, tragically, we now see manifesting itself in political nationalisms."
Is it really the case, as so many commentators (including Pope Leo) seem to assume, that the wave of populist nationalism passing through the developed world is something new? Is it not, rather, a delayed reaction to the thing that is really new: the project of globalism, which includes demographic change on a scale never seen before? I don't think the populations of Europe and the Americas have suddenly become nationalist. I think they always were (at least in a latent way) but they have only now woken up to the project of their ruling elites.
These are well-rehearsed arguments on this blog. I apologise to regular readers who may be bored by them. But they come to mind again in the light of Pope Leo's words.
It would be helpful if Pope Leo were to release an encyclical or other document on the place of the nation in the modern world, and particularly on how the plurality of human cultures are to be protected without the nation and nationalism. Until then, with all due respect to the Supreme Pontiff, I remain a nationalist-- a cultural nationalist primarily, but a political nationalist as well.
Sunday, June 8, 2025
Another Thought on Fascination
I was writing about fascination recently. I wrote:
This whole business of fascination is, inevitably, fascinating in itself. Human beings are remarkable creatures. One would assume we have the same basic bundle of desires and objectives, each of which would ultimately boil down to some animalistic imperative. But in fact, as C.S. Lewis once wrote, "we are inveterate poets". It seems to me that what draws us to any activity, pursuit, or allegiance is usually that our imagination has been seized in some way. And everybody's imagination seems to react in a very individual way. So perhaps it's rather futile to attempt to communicate a fascination.Happy Pentecost
Pentecost is one of my favourite moments in the Bible and one of my favourite mysteries of the Rosary. (My other favourites are the Presentation and the Transfiguration.)
I like the "shock and awe" of Pentecost, the presence of powerful imagery: a mighty wind and tongues of fire.
Despite much searching, and despite its popularity with painters through the ages, I've never been able to find a depiction of Pentecost that satisfies me. Every single depiction is too understated for my liking. Surely any attempt to portray Pentecost visually should be a case of "go big or go home". (Also, the "mighty wind" is generally left out. Obviously, you can't directly portray wind, but you should be able to imply it with a little imagination.)
So I'm going to be a terrible, terrible person and use an A.I.-generated image for this post. I'm not happy with that one, either, even though it took several efforts to find one that was even nearly suitable.
Friday, June 6, 2025
Saints of the Yellow Fever
There walked through the streets of the city a demon no eyes could see.
It brought with it desolation; full five thousand lives were cut short.
In the guise of the Yellow Fever, King Death held a gruesome court.
Nobody knew where it came from, and nothing could hold it back.
Its shadow fell further than Memphis, this plague they called “Yellow Jack”.
It ravaged through New Orleans, St. Louis, and Vicksburg, too
And twice ten thousand pitiful souls it swiftly, painfully slew.
Whoever could leave the cities had left, whoever could flee had fled,
And only the poor were left behind, to tremble among the dead.
And yet, in this Valley of Darkness, one fellowship chose to toil:
All valiant priests of the Catholic faith, and many from Erin’s Isle.
O’Brien and Fahey and Kelly, McGarvey and Mooney and Ryan,
All names of the Christian soldiers who fell on this dread battle-line.
When one had died of the deadly plague, another would take his place.
The Saints of the Yellow Fever, the infantry of God’s grace.
When all had abandoned the dying, God’s ministers still came near
To give them the precious Viaticum, their last confessions to hear,
To take from the arms of dead mothers the poor infant left all alone,
To hold a last drink to burning lips, to witness a dying groan.
In the city of Chattanooga they still speak of Patrick Ryan
From Nenagh in Tipperary, a young priest as brave a lion.
His tomb lies in the Basilica. The valiant path that he trod
Has won him the love of its people, the title of Servant of God.
So hail to the martyrs of Memphis, their brothers wherever they fell,
A beacon to burn for the ages, a breathtaking story to tell.
McGarvey and Mooney and Kelly, names bright with an unfading gloss.
The saints of the Yellow Fever, who fell at the foot of the Cross.
All of the details in this "ballad" can be found in the book Heroes and Heroines of Memphis by Father D.A. Quinn, which is freely available to read on the Internet Archive.
Thursday, June 5, 2025
Blog Thoughts
Once again I find myself pondering the point of my blog. It's been going now since 2011, so I intend to keep it going indefinitely. But I often find myself what direction I should take it in-- if any particular direction.
When I started it, I had the idea that it would be fairly newsy, essentially a series of responses to attacks on the Catholic Church in the Irish media. That idea didn't last very long.
I sometimes wonder whether it should be more "substantial"-- for instance, book reviews, movie reviews, commentary on current issues, articles on aspects of Irish Catholic history, that kind of thing. This would involve a fair amount of disciplined research.
I suppose the most recurrent theme in my blog is "fascination". I constantly seem to be trying to communicate some fascination or other, often a rather elusive one. Those are the posts that mean the most to me, but I don't know how much they appeal to other people. Communicating fascination might be more the province of poetry-- but it's hard to get anyone to read poetry.
This whole business of fascination is, inevitably, fascinating in itself. Human beings are remarkable creatures. One would assume we have the same basic bundle of desires and objectives, each of which would ultimately boil down to some animalistic imperative. But in fact, as C.S. Lewis once wrote, "we are inveterate poets". It seems to me that what draws us to any activity, pursuit, or allegiance is usually that our imagination has been seized in some way. And everybody's imagination seems to react in a very individual way. So perhaps it's rather futile to attempt to communicate a fascination.
I must admit I was rather disappointed that my "Irishness in Everyday Life" didn't get more of a response. I even asked various Facebook friends who are still on Facebook to share it. It seemed to me like the kind of thing that might spark a wider discussion.
Are blogs passé? I can remember back when they were almost comically modern.
The funny thing about my blog is that virtually nobody I know in "real life" actually reads it. On the other hand, as more and more people are speaking out against the ruling ideology in Ireland, I'm quite proud I have proof that I was opposing it for a long time, when it was neither profitable nor popular.